IUNNATI ADHYATMIK UNNATI Mata Vaishno Devi Temple, Location , History

Mata Vaishno Devi Temple, Location , History

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mata vaishno devi temple , History

Vaishno Devi Yatra ( mata vaishno devi temple )

mata vaishno devi temple , also known as Vaishnavi, is a manifestation of the Hindu Goddess Mahalakshmi. The temple dedicated to Mata Vaishno Devi is located in the Trikuta Mountains in the Indian state of Jammu and Kashmir. Here are some key points about Mata Vaishno Devi:

1.Location

The mata vaishno devi temple is situated in the Trikuta Mountains near the town of Katra in the union territory of Jammu and Kashmir.

2.Pilgrimage

It is one of the most revered pilgrimage sites in India. Devotees undertake a challenging trek to reach the sacred cave, known as the Holy Cave of mata vaishno devi temple.

3.Manifestation:

mata vaishno devi templeĀ is considered a form of the Goddess Mahalakshmi. According to legend, she took the form of a young girl and later revealed her true self to a devotee.

4.Holy Cave

The cave, located at an altitude of about 5,300 feet, is believed to be the place where mata vaishno devi temple meditated and observed penance.

5.Trekking

Pilgrims often undertake a trek of approximately 13 kilometers from Katra to the Holy Cave. Some also use ponies or palanquins for the journey.

6.Three Pindis:

nside the Holy Cave, there are three natural rock formations or Pindis representing the three forms of the Goddess ā€“ Mahakali, Mahalakshmi, and Mahasaraswati.

7.Navratri Festival

The festival of Navratri witnesses a significant influx of devotees seeking the blessings of mata vaishno devi temple

8.Bhairon Temple:

After visiting the Holy Cave, pilgrims often proceed to the Bhairon Temple, located a few kilometers away.

9.Arathi:

The morning and evening Aarti (prayer ceremonies) are performed with great devotion at the mata vaishno devi temple.

10.Annual Yatra:

The Yatra to Vaishno Devi is open throughout the year, and millions of pilgrims visit the shrine to seek the divine blessings of mata vaishno devi temple .

History of Vaishno Devi Temple:

The history of mata vaishno devi temple is deeply rooted in Hindu mythology. It is believed that Mata Vaishno Devi, an incarnation of Goddess Mahalakshmi, took birth to annihilate the demon Bhairon Nath. The legend goes as follows

mata vaishno devi temple, in the form of a young girl, meditated and performed penance in the Trikuta Mountains. Bhairon Nath, a demon king, became infatuated with her and decided to marry her forcefully. To escape him, Mata Vaishno Devi fled deeper into the mountains.

During the pursuit, she encountered several challenges, and at one point, she assumed a divine form, revealing her true identity. The goddess entered a cave and continued her meditation. Bhairon Nath followed her into the cave. In a divine intervention, Mata Vaishno Devi merged herself into a stone, and Bhairon Nath was eventually killed by the goddess.

The cave where mata vaishno devi temple meditated and took refuge is now known as the Holy Cave.

Religious Significance:

1.Manifestation of Mahalakshmi:

Ā Vaishno Devi is considered an embodiment of Goddess Mahalakshmi, the goddess of wealth and prosperity.

2.Tri-Devi Concept:

the three Pindis (natural rock formations) inside the Holy Cave represent the three manifestations of the goddess ā€“ Mahakali, Mahalakshmi, and Mahasaraswati.

3.Pilgrimage:

The journey to Vaishno Devi is regarded as a sacred pilgrimage for Hindus. Pilgrims undertake the challenging trek to seek the blessings of the goddess.

4.Navratri Celebrations:

The festival of Navratri witnesses a surge in pilgrims as it is considered an auspicious time to visit Vaishno Devi. The goddess is worshipped with great devotion during these nine days.

5.Spiritual Significance

Ā Devotees believe that a pilgrimage to Vaishno Devi fulfills their wishes and brings spiritual enlightenment.

6.Aarti and Rituals:

Daily Aarti ceremonies are performed at the temple to honor Mata Vaishno Devi. The morning and evening Aartis attract a large gathering of devotees.

7.Bhairon Temple

After visiting the Holy Cave, pilgrims often visit the Bhairon Temple, dedicated to the demon Bhairon Nath.

The religious significance of Vaishno Devi Temple lies in the devotion and faith of millions of pilgrims who consider it a sacred and spiritually uplifting destination. The legend and traditions associated with Mata Vaishno Devi contribute to its revered status in Hinduism.

The trek to Mata Vaishno Devi is a sacred journey that pilgrims undertake to reach the Holy Cave in the Trikuta Mountains where the goddess is believed to reside. Here is an overview of the trek:

Starting Point:

The trek usually starts from the town of Katra, which is the base camp for the pilgrimage. Katra is well-connected by road and rail and serves as the gateway to the mata vaishno devi temple shrine.

Starting Point:

The trek covers a distance of approximately 13 kilometers from Katra to the Holy Cave. The actual distance can vary slightly depending on the route chosen and specific starting points.

Routes:

There are two main routes for the trek:

1.Traditional Route (Balganga Route):

This is the longer but more traditional route. It passes through Banganga, Charan Paduka, and Adhkuwari before reaching the Holy Cave. Pilgrims often make stops at these points to rest and offer prayers.

2.New Route (Himkoti Route):

This route is relatively newer and shorter. It bypasses Banganga and is often preferred by those looking for a quicker ascent. It includes a stop at Himkoti, offering picturesque views.

Terrain

The trekking path includes a mix of paved paths, stairs, and natural trails. The terrain can be challenging at times, with steep inclines and steps, requiring physical stamina and endurance.

Pony and Palanquin Services:

For those who find it challenging to trek, pony and palanquin services are available. Pilgrims can hire ponies or palanquins at certain points along the route.

Night Trek:

Ā Many pilgrims prefer to start the trek in the evening or night, as the cooler temperatures make the journey more comfortable. Additionally, the views of the illuminated path are considered spiritually uplifting.

Time Taken:

Ā The time taken to complete the trek varies based on the individualā€™s pace, fitness level, and the chosen route. It can range from several hours to a day.

Accommodation:

There are various accommodation options in Katra for pilgrims who wish to rest before or after the trek. Additionally, there are facilities for night stay at Adhkuwari and Sanjichhat.

Devotee Facilities:

Along the trekking path, facilities such as medical aid centers, refreshment stalls, and resting points are available to assist pilgrims.

The Vaishno Devi trek is not just a physical journey but also a spiritual and devotional experience for millions of devotees who undertake it to seek the blessings of Mata Vaishno Devi.

The connection between Bhairav Mandir and Mata Vaishno Devi is deeply rooted in Hindus and the legendary story associated with the pilgrimage. Hereā€™s an overview of the connection:

1. Bhairon Nathā€™s Pursuit

According to the legend, the demon king Bhairon Nath became infatuated with Mata Vaishno Devi and decided to marry her. Mata Vaishno Devi, to escape his advances, fled deeper into the Trikuta Mountains, where she eventually took refuge in the Holy Cave.

2. Mata Vaishno Deviā€™s Divine Intervention:

In a divine intervention, Mata Vaishno Devi assumed a powerful form and, inside the Holy Cave, merged herself into a stone. Despite his pursuit, Bhairon Nath could not locate her.

3. Bhaironā€™s Penitence:

Ā Realizing the gravity of his actions, Bhairon Nath sought forgiveness from Mata Vaishno Devi and prayed for her mercy. It is believed that Mata Vaishno Devi, in her compassionate form, forgave him.

4. Pilgrimage Tradition:

In the pilgrimage tradition, after visiting the Holy Cave of Mata Vaishno Devi, devotees often proceed to Bhairav Mandir. It is believed that the journey is incomplete without seeking the blessings of Bhairon Nath.

5. Pilgrimage Rituals:

Pilgrims perform a ritual known as ā€œMundan,ā€ symbolic of the beheading of Bhairon Nath by Mata Vaishno Devi. This act signifies the purification of the devotee and their surrender to the divine.

6. Bhairon Temple Visit:

After visiting the Holy Cave, many pilgrims make their way to Bhairav Mandir, situated a few kilometers away. The temple is dedicated to Bhairon Nath and is considered an integral part of the Vaishno Devi pilgrimage.

7. Pilgrimsā€™ Belief:

Devotees believe that their pilgrimage is complete only when they visit both the Holy Cave of Mata Vaishno Devi and Bhairav Mandir. The story signifies the interplay ofĀ devotion, forgiveness, and the transformative power of the divine.

In essence, the connection between Bhairav Mandir and Mata Vaishno Devi reflects the cyclical nature of the legend, emphasizing the themes of devotion, repentance, and the ultimate grace of the goddess. Pilgrims undertake this sacred journey to seek blessings and engage in the age-old rituals associated with Mata Vaishno Devi andĀ Bhairon Nath.

The architecture of the Vaishno Devi Temple is a blend of traditional and contemporary styles, reflecting the cultural and spiritual significance of the pilgrimage site. While the temple complex has evolved over time, here are some architectural features:

1.Cave Structure:

The main sanctum, known as the Holy Cave, is a natural rock formation. The cave is located in the Trikuta Mountains, and its unique geological structure is an integral part of the templeā€™s architecture.

2.Natural Formation:

Unlike many Hindu temples that are built with elaborate architectural structures, Vaishno Devi Temple primarily relies on the natural rock formation of the cave. Devotees trek through the mountains to reach the sacred cave.

3.Three Pindis:

Ā Inside the Holy Cave, there are three Pindis (natural rock formations) representing the three goddesses ā€“ Mahakali, Mahalakshmi, and Mahasaraswati. The Pindis are considered the divine manifestations ofĀ Mata Vaishno Devi.

4.Traditional Elements:

While the primary focus is on the natural cave, there are traditional elements added to enhance the pilgrimage experience. Pilgrims encounter points such as Banganga, Charan Paduka, and Adhkuwari along the trek, each contributing to the spiritual journey.

5.Artistic Elements

The path to the Holy Cave features artistic elements such as sculptures and engravings depicting mythological stories and symbols associated with Mata Vaishno Devi.

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Ā ą¤®ą¤¾ą¤°ą„ą¤—: ą¤Ÿą„ą¤°ą„‡ą¤• ą¤•ą„‡ ą¤²ą¤æą¤ ą¤¦ą„‹ ą¤®ą„ą¤–ą„ą¤Æ ą¤®ą¤¾ą¤°ą„ą¤— ą¤¹ą„ˆą¤‚: ą¤Ŗą¤¾ą¤°ą¤‚ą¤Ŗą¤°ą¤æą¤• ą¤®ą¤¾ą¤°ą„ą¤— (ą¤¬ą¤¾ą¤²ą¤—ą¤‚ą¤—ą¤¾ ą¤®ą¤¾ą¤°ą„ą¤—): ą¤Æą¤¹ ą¤²ą¤‚ą¤¬ą¤¾ ą¤²ą„‡ą¤•ą¤æą¤Ø ą¤…ą¤§ą¤æą¤• ą¤Ŗą¤¾ą¤°ą¤‚ą¤Ŗą¤°ą¤æą¤• ą¤®ą¤¾ą¤°ą„ą¤— ą¤¹ą„ˆą„¤ ą¤Ŗą¤µą¤æą¤¤ą„ą¤° ą¤—ą„ą¤«ą¤¾ ą¤¤ą¤• ą¤Ŗą¤¹ą„ą¤‚ą¤šą¤Øą„‡ ą¤øą„‡ ą¤Ŗą¤¹ą¤²ą„‡ ą¤Æą¤¹ ą¤¬ą¤¾ą¤£ą¤—ą¤‚ą¤—ą¤¾, ą¤šą¤°ą¤£ ą¤Ŗą¤¾ą¤¦ą„ą¤•ą¤¾ ą¤”ą¤° ą¤…ą¤§ą¤•ą„ą¤µą¤¾ą¤°ą„€ ą¤øą„‡ ą¤¹ą„‹ą¤•ą¤° ą¤—ą„ą¤œą¤°ą¤¤ą„€ ą¤¹ą„ˆą„¤ ą¤¤ą„€ą¤°ą„ą¤„ą¤Æą¤¾ą¤¤ą„ą¤°ą„€ ą¤…ą¤•ą„ą¤øą¤° ą¤†ą¤°ą¤¾ą¤® ą¤•ą¤°ą¤Øą„‡ ą¤”ą¤° ą¤Ŗą„ą¤°ą¤¾ą¤°ą„ą¤„ą¤Øą¤¾ ą¤•ą¤°ą¤Øą„‡ ą¤•ą„‡ ą¤²ą¤æą¤ ą¤‡ą¤Ø ą¤øą„ą¤„ą¤¾ą¤Øą„‹ą¤‚ ą¤Ŗą¤° ą¤°ą„ą¤•ą¤¤ą„‡ ą¤¹ą„ˆą¤‚ą„¤Ā 

ą¤Øą¤Æą¤¾ ą¤®ą¤¾ą¤°ą„ą¤— (ą¤¹ą¤æą¤®ą¤•ą„‹ą¤Ÿą¤æ ą¤®ą¤¾ą¤°ą„ą¤—):Ā 

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Ā ą¤Ÿą¤Ÿą„ą¤Ÿą„‚ ą¤”ą¤° ą¤Ŗą¤¾ą¤²ą¤•ą„€ ą¤øą„‡ą¤µą¤¾ą¤ą¤:Ā 

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ą¤°ą¤¾ą¤¤ą„ą¤°ą¤æ ą¤Æą¤¾ą¤¤ą„ą¤°ą¤¾:Ā 

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ą¤†ą¤µą¤¾ą¤ø:Ā 

ą¤œą„‹ ą¤¤ą„€ą¤°ą„ą¤„ą¤Æą¤¾ą¤¤ą„ą¤°ą„€ ą¤Æą¤¾ą¤¤ą„ą¤°ą¤¾ ą¤øą„‡ ą¤Ŗą¤¹ą¤²ą„‡ ą¤Æą¤¾ ą¤¬ą¤¾ą¤¦ ą¤®ą„‡ą¤‚ ą¤†ą¤°ą¤¾ą¤® ą¤•ą¤°ą¤Øą¤¾ ą¤šą¤¾ą¤¹ą¤¤ą„‡ ą¤¹ą„ˆą¤‚ ą¤‰ą¤Øą¤•ą„‡ ą¤²ą¤æą¤ ą¤•ą¤Ÿą¤°ą¤¾ ą¤®ą„‡ą¤‚ ą¤†ą¤µą¤¾ą¤ø ą¤•ą„‡ ą¤µą¤æą¤­ą¤æą¤Øą„ą¤Ø ą¤µą¤æą¤•ą¤²ą„ą¤Ŗ ą¤¹ą„ˆą¤‚ą„¤ ą¤‡ą¤øą¤•ą„‡ ą¤…ą¤¤ą¤æą¤°ą¤æą¤•ą„ą¤¤, ą¤…ą¤§ą¤•ą„ą¤µą¤¾ą¤°ą„€ ą¤”ą¤° ą¤øą¤¾ą¤‚ą¤ą„€ą¤›ą¤¤ ą¤®ą„‡ą¤‚ ą¤°ą¤¾ą¤¤ą„ą¤°ą¤æ ą¤µą¤æą¤¶ą„ą¤°ą¤¾ą¤® ą¤•ą„€ ą¤øą„ą¤µą¤æą¤§ą¤¾ą¤ą¤‚ ą¤­ą„€ ą¤¹ą„ˆą¤‚ą„¤ ą¤­ą¤•ą„ą¤¤ ą¤øą„ą¤µą¤æą¤§ą¤¾ą¤ą¤‚: ą¤Ÿą„ą¤°ą„ˆą¤•ą¤æą¤‚ą¤— ą¤Ŗą¤„ ą¤Ŗą¤° ą¤¤ą„€ą¤°ą„ą¤„ą¤Æą¤¾ą¤¤ą„ą¤°ą¤æą¤Æą„‹ą¤‚ ą¤•ą„€ ą¤øą¤¹ą¤¾ą¤Æą¤¤ą¤¾ ą¤•ą„‡ ą¤²ą¤æą¤ ą¤šą¤æą¤•ą¤æą¤¤ą„ą¤øą¤¾ ą¤øą¤¹ą¤¾ą¤Æą¤¤ą¤¾ ą¤•ą„‡ą¤‚ą¤¦ą„ą¤°, ą¤œą¤²ą¤Ŗą¤¾ą¤Ø ą¤øą„ą¤Ÿą„‰ą¤² ą¤”ą¤° ą¤µą¤æą¤¶ą„ą¤°ą¤¾ą¤® ą¤øą„ą¤„ą¤² ą¤œą„ˆą¤øą„€ ą¤øą„ą¤µą¤æą¤§ą¤¾ą¤ą¤‚ ą¤‰ą¤Ŗą¤²ą¤¬ą„ą¤§ ą¤¹ą„ˆą¤‚ą„¤ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤Æą¤¾ą¤¤ą„ą¤°ą¤¾ ą¤Ø ą¤•ą„‡ą¤µą¤² ą¤ą¤• ą¤¶ą¤¾ą¤°ą„€ą¤°ą¤æą¤• ą¤Æą¤¾ą¤¤ą„ą¤°ą¤¾ ą¤¹ą„ˆ, ą¤¬ą¤²ą„ą¤•ą¤æ ą¤‰ą¤Ø ą¤²ą¤¾ą¤–ą„‹ą¤‚ ą¤­ą¤•ą„ą¤¤ą„‹ą¤‚ ą¤•ą„‡ ą¤²ą¤æą¤ ą¤ą¤• ą¤†ą¤§ą„ą¤Æą¤¾ą¤¤ą„ą¤®ą¤æą¤• ą¤”ą¤° ą¤­ą¤•ą„ą¤¤ą¤æą¤Ŗą„‚ą¤°ą„ą¤£ ą¤…ą¤Øą„ą¤­ą¤µ ą¤­ą„€ ą¤¹ą„ˆ ą¤œą„‹ ą¤®ą¤¾ą¤¤ą¤¾ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤•ą¤¾ ą¤†ą¤¶ą„€ą¤°ą„ą¤µą¤¾ą¤¦ ą¤Ŗą¤¾ą¤Øą„‡ ą¤•ą„‡ ą¤²ą¤æą¤ ą¤‡ą¤øą„‡ ą¤•ą¤°ą¤¤ą„‡ ą¤¹ą„ˆą¤‚ą„¤ ą¤­ą„ˆą¤°ą¤µ ą¤®ą¤‚ą¤¦ą¤æą¤° ą¤”ą¤° ą¤®ą¤¾ą¤¤ą¤¾ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤•ą„‡ ą¤¬ą„€ą¤š ą¤•ą¤¾ ą¤øą¤‚ą¤¬ą¤‚ą¤§ ą¤¹ą¤æą¤‚ą¤¦ą„ą¤“ą¤‚ ą¤®ą„‡ą¤‚ ą¤—ą¤¹ą¤°ą¤¾ą¤ˆ ą¤øą„‡ ą¤Øą¤æą¤¹ą¤æą¤¤ ą¤¹ą„ˆ ą¤”ą¤° ą¤¤ą„€ą¤°ą„ą¤„ą¤Æą¤¾ą¤¤ą„ą¤°ą¤¾ ą¤øą„‡ ą¤œą„ą¤”ą¤¼ą„€ ą¤Ŗą„Œą¤°ą¤¾ą¤£ą¤æą¤• ą¤•ą¤¹ą¤¾ą¤Øą„€ ą¤¹ą„ˆą„¤ ą¤Æą¤¹ą¤¾ą¤‚ ą¤•ą¤Øą„‡ą¤•ą„ą¤¶ą¤Ø ą¤•ą¤¾ ą¤…ą¤µą¤²ą„‹ą¤•ą¤Ø ą¤¦ą¤æą¤Æą¤¾ ą¤—ą¤Æą¤¾ ą¤¹ą„ˆ:

.1. ą¤­ą„ˆą¤°ą„‹ ą¤Øą¤¾ą¤„ ą¤•ą¤¾ ą¤Ŗą„€ą¤›ą¤¾: ą¤Ŗą„Œą¤°ą¤¾ą¤£ą¤æą¤• ą¤•ą¤„ą¤¾ ą¤•ą„‡ ą¤…ą¤Øą„ą¤øą¤¾ą¤°, ą¤°ą¤¾ą¤•ą„ą¤·ą¤ø ą¤°ą¤¾ą¤œą¤¾ ą¤­ą„ˆą¤°ą„‹ ą¤Øą¤¾ą¤„ ą¤®ą¤¾ą¤¤ą¤¾ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤Ŗą¤° ą¤®ą„‹ą¤¹ą¤æą¤¤ ą¤¹ą„‹ ą¤—ą¤ ą¤”ą¤° ą¤‰ą¤Øą„ą¤¹ą„‹ą¤‚ą¤Øą„‡ ą¤‰ą¤Øą¤øą„‡ ą¤µą¤æą¤µą¤¾ą¤¹ ą¤•ą¤°ą¤Øą„‡ ą¤•ą¤¾ ą¤«ą„ˆą¤øą¤²ą¤¾ ą¤•ą¤æą¤Æą¤¾ą„¤ ą¤®ą¤¾ą¤¤ą¤¾ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€, ą¤‰ą¤øą¤•ą„€ ą¤Ŗą„ą¤°ą¤—ą¤¤ą¤æ ą¤øą„‡ ą¤¬ą¤šą¤Øą„‡ ą¤•ą„‡ ą¤²ą¤æą¤, ą¤¤ą„ą¤°ą¤æą¤•ą„ą¤Ÿą¤¾ ą¤Ŗą¤°ą„ą¤µą¤¤ ą¤•ą„€ ą¤—ą¤¹ą¤°ą¤¾ą¤ˆ ą¤®ą„‡ą¤‚ ą¤­ą¤¾ą¤— ą¤—ą¤ˆą¤‚, ą¤œą¤¹ą¤¾ą¤‚ ą¤…ą¤‚ą¤¤ą¤¤ą¤ƒ ą¤‰ą¤Øą„ą¤¹ą„‹ą¤‚ą¤Øą„‡ ą¤Ŗą¤µą¤æą¤¤ą„ą¤° ą¤—ą„ą¤«ą¤¾ ą¤®ą„‡ą¤‚ ą¤¶ą¤°ą¤£ ą¤²ą„€ą„¤

Ā 2. ą¤®ą¤¾ą¤¤ą¤¾ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤•ą¤¾ ą¤¦ą„ˆą¤µą„€ą¤Æ ą¤¹ą¤øą„ą¤¤ą¤•ą„ą¤·ą„‡ą¤Ŗ:Ā 

ą¤ą¤• ą¤¦ą„ˆą¤µą„€ą¤Æ ą¤¹ą¤øą„ą¤¤ą¤•ą„ą¤·ą„‡ą¤Ŗ ą¤®ą„‡ą¤‚, ą¤®ą¤¾ą¤¤ą¤¾ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤Øą„‡ ą¤ą¤• ą¤¶ą¤•ą„ą¤¤ą¤æą¤¶ą¤¾ą¤²ą„€ ą¤°ą„‚ą¤Ŗ ą¤§ą¤¾ą¤°ą¤£ ą¤•ą¤æą¤Æą¤¾ ą¤”ą¤° ą¤Ŗą¤µą¤æą¤¤ą„ą¤° ą¤—ą„ą¤«ą¤¾ ą¤•ą„‡ ą¤…ą¤‚ą¤¦ą¤° ą¤–ą„ą¤¦ ą¤•ą„‹ ą¤ą¤• ą¤Ŗą¤¤ą„ą¤„ą¤° ą¤®ą„‡ą¤‚ ą¤µą¤æą¤²ą„€ą¤Ø ą¤•ą¤° ą¤²ą¤æą¤Æą¤¾ą„¤ ą¤•ą¤¾ą¤«ą„€ ą¤Ŗą„€ą¤›ą¤¾ ą¤•ą¤°ą¤Øą„‡ ą¤•ą„‡ ą¤¬ą¤¾ą¤µą¤œą„‚ą¤¦ ą¤­ą„€ ą¤­ą„ˆą¤°ą„‹ ą¤Øą¤¾ą¤„ ą¤‰ą¤øą¤•ą¤¾ ą¤Ŗą¤¤ą¤¾ ą¤Øą¤¹ą„€ą¤‚ ą¤²ą¤—ą¤¾ ą¤øą¤•ą¤¾ą„¤Ā 

3. ą¤­ą„ˆą¤°ą„‹ą¤‚ ą¤•ą„€ ą¤¤ą¤Ŗą¤øą„ą¤Æą¤¾: ą¤…ą¤Ŗą¤Øą„‡ ą¤•ą„ƒą¤¤ą„ą¤Æ ą¤•ą„€ ą¤—ą¤‚ą¤­ą„€ą¤°ą¤¤ą¤¾ ą¤•ą„‹ ą¤øą¤®ą¤ą¤¤ą„‡ ą¤¹ą„ą¤, ą¤­ą„ˆą¤°ą„‹ ą¤Øą¤¾ą¤„ ą¤Øą„‡ ą¤®ą¤¾ą¤¤ą¤¾ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤øą„‡ ą¤•ą„ą¤·ą¤®ą¤¾ ą¤®ą¤¾ą¤‚ą¤—ą„€ ą¤”ą¤° ą¤‰ą¤Øą¤øą„‡ ą¤¦ą¤Æą¤¾ ą¤•ą„€ ą¤Ŗą„ą¤°ą¤¾ą¤°ą„ą¤„ą¤Øą¤¾ ą¤•ą„€ą„¤ ą¤ą¤øą¤¾ ą¤®ą¤¾ą¤Øą¤¾ ą¤œą¤¾ą¤¤ą¤¾ ą¤¹ą„ˆ ą¤•ą¤æ ą¤®ą¤¾ą¤¤ą¤¾ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤Øą„‡ ą¤…ą¤Ŗą¤Øą„‡ ą¤¦ą¤Æą¤¾ą¤²ą„ ą¤°ą„‚ą¤Ŗ ą¤®ą„‡ą¤‚ ą¤‰ą¤øą„‡ ą¤®ą¤¾ą¤« ą¤•ą¤° ą¤¦ą¤æą¤Æą¤¾ą„¤Ā 

Ā 4. ą¤¤ą„€ą¤°ą„ą¤„ą¤Æą¤¾ą¤¤ą„ą¤°ą¤¾ ą¤Ŗą¤°ą¤‚ą¤Ŗą¤°ą¤¾: ą¤¤ą„€ą¤°ą„ą¤„ą¤Æą¤¾ą¤¤ą„ą¤°ą¤¾ ą¤Ŗą¤°ą¤‚ą¤Ŗą¤°ą¤¾ ą¤®ą„‡ą¤‚, ą¤®ą¤¾ą¤¤ą¤¾ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤•ą„€ ą¤Ŗą¤µą¤æą¤¤ą„ą¤° ą¤—ą„ą¤«ą¤¾ ą¤•ą„‡ ą¤¦ą¤°ą„ą¤¶ą¤Ø ą¤•ą¤°ą¤Øą„‡ ą¤•ą„‡ ą¤¬ą¤¾ą¤¦, ą¤­ą¤•ą„ą¤¤ ą¤…ą¤•ą„ą¤øą¤° ą¤­ą„ˆą¤°ą¤µ ą¤®ą¤‚ą¤¦ą¤æą¤° ą¤•ą„€ ą¤“ą¤° ą¤œą¤¾ą¤¤ą„‡ ą¤¹ą„ˆą¤‚ą„¤ ą¤ą¤øą¤¾ ą¤®ą¤¾ą¤Øą¤¾ ą¤œą¤¾ą¤¤ą¤¾ ą¤¹ą„ˆ ą¤•ą¤æ ą¤­ą„ˆą¤°ą„‹ ą¤Øą¤¾ą¤„ ą¤•ą¤¾ ą¤†ą¤¶ą„€ą¤°ą„ą¤µą¤¾ą¤¦ ą¤²ą¤æą¤ ą¤¬ą¤æą¤Øą¤¾ ą¤Æą¤¾ą¤¤ą„ą¤°ą¤¾ ą¤…ą¤§ą„‚ą¤°ą„€ ą¤¹ą„ˆą„¤

5. ą¤¤ą„€ą¤°ą„ą¤„ą¤Æą¤¾ą¤¤ą„ą¤°ą¤¾ ą¤…ą¤Øą„ą¤·ą„ą¤ ą¤¾ą¤Ø:Ā 

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Ā 6. ą¤­ą„ˆą¤°ą„‹ą¤‚ ą¤®ą¤‚ą¤¦ą¤æą¤° ą¤•ą„‡ ą¤¦ą¤°ą„ą¤¶ą¤Ø: ą¤Ŗą¤µą¤æą¤¤ą„ą¤° ą¤—ą„ą¤«ą¤¾ ą¤•ą„‡ ą¤¦ą¤°ą„ą¤¶ą¤Ø ą¤•ą¤°ą¤Øą„‡ ą¤•ą„‡ ą¤¬ą¤¾ą¤¦, ą¤•ą¤ˆ ą¤¤ą„€ą¤°ą„ą¤„ą¤Æą¤¾ą¤¤ą„ą¤°ą„€ ą¤•ą„ą¤› ą¤•ą¤æą¤²ą„‹ą¤®ą„€ą¤Ÿą¤° ą¤¦ą„‚ą¤° ą¤øą„ą¤„ą¤æą¤¤ ą¤­ą„ˆą¤°ą¤µ ą¤®ą¤‚ą¤¦ą¤æą¤° ą¤•ą„€ ą¤“ą¤° ą¤œą¤¾ą¤¤ą„‡ ą¤¹ą„ˆą¤‚ą„¤ ą¤Æą¤¹ ą¤®ą¤‚ą¤¦ą¤æą¤° ą¤­ą„ˆą¤°ą„‹ ą¤Øą¤¾ą¤„ ą¤•ą„‹ ą¤øą¤®ą¤°ą„ą¤Ŗą¤æą¤¤ ą¤¹ą„ˆ ą¤”ą¤° ą¤‡ą¤øą„‡ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤¤ą„€ą¤°ą„ą¤„ą¤Æą¤¾ą¤¤ą„ą¤°ą¤¾ ą¤•ą¤¾ ą¤ą¤• ą¤…ą¤­ą¤æą¤Øą„ą¤Ø ą¤…ą¤‚ą¤— ą¤®ą¤¾ą¤Øą¤¾ ą¤œą¤¾ą¤¤ą¤¾ ą¤¹ą„ˆą„¤Ā 

7. ą¤¤ą„€ą¤°ą„ą¤„ą¤Æą¤¾ą¤¤ą„ą¤°ą¤æą¤Æą„‹ą¤‚ ą¤•ą¤¾ ą¤µą¤æą¤¶ą„ą¤µą¤¾ą¤ø: ą¤­ą¤•ą„ą¤¤ą„‹ą¤‚ ą¤•ą¤¾ ą¤®ą¤¾ą¤Øą¤Øą¤¾ ā€‹ā€‹ą¤¹ą„ˆ ą¤•ą¤æ ą¤‰ą¤Øą¤•ą„€ ą¤¤ą„€ą¤°ą„ą¤„ą¤Æą¤¾ą¤¤ą„ą¤°ą¤¾ ą¤¤ą¤­ą„€ ą¤Ŗą„‚ą¤°ą„€ ą¤¹ą„‹ą¤¤ą„€ ą¤¹ą„ˆ ą¤œą¤¬ ą¤µą„‡ ą¤®ą¤¾ą¤¤ą¤¾ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤•ą„€ ą¤Ŗą¤µą¤æą¤¤ą„ą¤° ą¤—ą„ą¤«ą¤¾ ą¤”ą¤° ą¤­ą„ˆą¤°ą¤µ ą¤®ą¤‚ą¤¦ą¤æą¤° ą¤¦ą„‹ą¤Øą„‹ą¤‚ ą¤•ą„‡ ą¤¦ą¤°ą„ą¤¶ą¤Ø ą¤•ą¤°ą¤¤ą„‡ ą¤¹ą„ˆą¤‚ą„¤ ą¤Æą¤¹ ą¤•ą¤¹ą¤¾ą¤Øą„€ ą¤­ą¤•ą„ą¤¤ą¤æ, ą¤•ą„ą¤·ą¤®ą¤¾ ą¤”ą¤° ą¤Ŗą¤°ą¤®ą¤¾ą¤¤ą„ą¤®ą¤¾ ą¤•ą„€ ą¤Ŗą¤°ą¤æą¤µą¤°ą„ą¤¤ą¤Øą¤•ą¤¾ą¤°ą„€ ą¤¶ą¤•ą„ą¤¤ą¤æ ą¤•ą„€ ą¤Ŗą¤°ą¤øą„ą¤Ŗą¤° ą¤•ą„ą¤°ą¤æą¤Æą¤¾ ą¤•ą¤¾ ą¤Ŗą„ą¤°ą¤¤ą„€ą¤• ą¤¹ą„ˆą„¤ ą¤øą¤‚ą¤•ą„ą¤·ą„‡ą¤Ŗ ą¤®ą„‡ą¤‚, ą¤­ą„ˆą¤°ą¤µ ą¤®ą¤‚ą¤¦ą¤æą¤° ą¤”ą¤° ą¤®ą¤¾ą¤¤ą¤¾ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤•ą„‡ ą¤¬ą„€ą¤š ą¤•ą¤¾ ą¤øą¤‚ą¤¬ą¤‚ą¤§ ą¤•ą¤æą¤‚ą¤µą¤¦ą¤‚ą¤¤ą„€ ą¤•ą„€ ą¤šą¤•ą„ą¤°ą„€ą¤Æ ą¤Ŗą„ą¤°ą¤•ą„ƒą¤¤ą¤æ ą¤•ą„‹ ą¤¦ą¤°ą„ą¤¶ą¤¾ą¤¤ą¤¾ ą¤¹ą„ˆ, ą¤œą„‹ ą¤­ą¤•ą„ą¤¤ą¤æ, ą¤Ŗą¤¶ą„ą¤šą¤¾ą¤¤ą¤¾ą¤Ŗ ą¤”ą¤° ą¤¦ą„‡ą¤µą„€ ą¤•ą„€ ą¤Ŗą¤°ą¤® ą¤•ą„ƒą¤Ŗą¤¾ ą¤•ą„‡ ą¤µą¤æą¤·ą¤Æą„‹ą¤‚ ą¤Ŗą¤° ą¤œą„‹ą¤° ą¤¦ą„‡ą¤¤ą¤¾ ą¤¹ą„ˆą„¤ ą¤¤ą„€ą¤°ą„ą¤„ą¤Æą¤¾ą¤¤ą„ą¤°ą„€ ą¤†ą¤¶ą„€ą¤°ą„ą¤µą¤¾ą¤¦ ą¤²ą„‡ą¤Øą„‡ ą¤”ą¤° ą¤®ą¤¾ą¤¤ą¤¾ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤”ą¤° ą¤­ą„ˆą¤°ą„‹ ą¤Øą¤¾ą¤„ ą¤øą„‡ ą¤œą„ą¤”ą¤¼ą„‡ ą¤øą¤¦ą¤æą¤Æą„‹ą¤‚ ą¤Ŗą„ą¤°ą¤¾ą¤Øą„‡ ą¤…ą¤Øą„ą¤·ą„ą¤ ą¤¾ą¤Øą„‹ą¤‚ ą¤®ą„‡ą¤‚ ą¤¶ą¤¾ą¤®ą¤æą¤² ą¤¹ą„‹ą¤Øą„‡ ą¤•ą„‡ ą¤²ą¤æą¤ ą¤Æą¤¹ ą¤Ŗą¤µą¤æą¤¤ą„ą¤° ą¤Æą¤¾ą¤¤ą„ą¤°ą¤¾ ą¤•ą¤°ą¤¤ą„‡ ą¤¹ą„ˆą¤‚ą„¤ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤®ą¤‚ą¤¦ą¤æą¤° ą¤•ą„€ ą¤µą¤¾ą¤øą„ą¤¤ą„ą¤•ą¤²ą¤¾ ą¤Ŗą¤¾ą¤°ą¤‚ą¤Ŗą¤°ą¤æą¤• ą¤”ą¤° ą¤øą¤®ą¤•ą¤¾ą¤²ą„€ą¤Ø ą¤¶ą„ˆą¤²ą¤æą¤Æą„‹ą¤‚ ą¤•ą¤¾ ą¤®ą¤æą¤¶ą„ą¤°ą¤£ ą¤¹ą„ˆ, ą¤œą„‹ ą¤¤ą„€ą¤°ą„ą¤„ ą¤øą„ą¤„ą¤² ą¤•ą„‡ ą¤øą¤¾ą¤‚ą¤øą„ą¤•ą„ƒą¤¤ą¤æą¤• ą¤”ą¤° ą¤†ą¤§ą„ą¤Æą¤¾ą¤¤ą„ą¤®ą¤æą¤• ą¤®ą¤¹ą¤¤ą„ą¤µ ą¤•ą„‹ ą¤¦ą¤°ą„ą¤¶ą¤¾ą¤¤ą„€ ą¤¹ą„ˆą„¤ ą¤œą¤¬ą¤•ą¤æ ą¤®ą¤‚ą¤¦ą¤æą¤° ą¤Ŗą¤°ą¤æą¤øą¤° ą¤øą¤®ą¤Æ ą¤•ą„‡ ą¤øą¤¾ą¤„ ą¤µą¤æą¤•ą¤øą¤æą¤¤ ą¤¹ą„ą¤† ą¤¹ą„ˆ, ą¤Æą¤¹ą¤¾ą¤‚ ą¤•ą„ą¤› ą¤µą¤¾ą¤øą„ą¤¤ą„ą¤¶ą¤æą¤²ą„ą¤Ŗ ą¤µą¤æą¤¶ą„‡ą¤·ą¤¤ą¤¾ą¤ą¤‚ ą¤¹ą„ˆą¤‚:Ā 

ą¤—ą„ą¤«ą¤¾ ą¤øą¤‚ą¤°ą¤šą¤Øą¤¾: ą¤®ą„ą¤–ą„ą¤Æ ą¤—ą¤°ą„ą¤­ą¤—ą„ƒą¤¹, ą¤œą¤æą¤øą„‡ ą¤Ŗą¤µą¤æą¤¤ą„ą¤° ą¤—ą„ą¤«ą¤¾ ą¤•ą„‡ ą¤Øą¤¾ą¤® ą¤øą„‡ ą¤œą¤¾ą¤Øą¤¾ ą¤œą¤¾ą¤¤ą¤¾ ą¤¹ą„ˆ, ą¤ą¤• ą¤Ŗą„ą¤°ą¤¾ą¤•ą„ƒą¤¤ą¤æą¤• ą¤šą¤Ÿą„ą¤Ÿą¤¾ą¤Ø ą¤øą„‡ ą¤¬ą¤Øą¤¾ ą¤¹ą„ˆą„¤ ą¤—ą„ą¤«ą¤¾ ą¤¤ą„ą¤°ą¤æą¤•ą„ą¤Ÿą¤¾ ą¤Ŗą¤°ą„ą¤µą¤¤ ą¤®ą„‡ą¤‚ ą¤øą„ą¤„ą¤æą¤¤ ą¤¹ą„ˆ, ą¤”ą¤° ą¤‡ą¤øą¤•ą„€ ą¤…ą¤Øą„‚ą¤ ą„€ ą¤­ą„‚ą¤µą„ˆą¤œą„ą¤žą¤¾ą¤Øą¤æą¤• ą¤øą¤‚ą¤°ą¤šą¤Øą¤¾ ą¤®ą¤‚ą¤¦ą¤æą¤° ą¤•ą„€ ą¤µą¤¾ą¤øą„ą¤¤ą„ą¤•ą¤²ą¤¾ ą¤•ą¤¾ ą¤ą¤• ą¤…ą¤­ą¤æą¤Øą„ą¤Ø ą¤…ą¤‚ą¤— ą¤¹ą„ˆą„¤ ą¤Ŗą„ą¤°ą¤¾ą¤•ą„ƒą¤¤ą¤æą¤• ą¤øą¤‚ą¤°ą¤šą¤Øą¤¾: ą¤µą¤æą¤øą„ą¤¤ą„ƒą¤¤ ą¤µą¤¾ą¤øą„ą¤¤ą„ą¤¶ą¤æą¤²ą„ą¤Ŗ ą¤øą¤‚ą¤°ą¤šą¤Øą¤¾ą¤“ą¤‚ ą¤•ą„‡ ą¤øą¤¾ą¤„ ą¤Øą¤æą¤°ą„ą¤®ą¤æą¤¤ ą¤•ą¤ˆ ą¤¹ą¤æą¤‚ą¤¦ą„‚ ą¤®ą¤‚ą¤¦ą¤æą¤°ą„‹ą¤‚ ą¤•ą„‡ ą¤µą¤æą¤Ŗą¤°ą„€ą¤¤, ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤®ą¤‚ą¤¦ą¤æą¤° ą¤®ą„ą¤–ą„ą¤Æ ą¤°ą„‚ą¤Ŗ ą¤øą„‡ ą¤—ą„ą¤«ą¤¾ ą¤•ą„€ ą¤Ŗą„ą¤°ą¤¾ą¤•ą„ƒą¤¤ą¤æą¤• ą¤šą¤Ÿą„ą¤Ÿą¤¾ą¤Ø ą¤øą¤‚ą¤°ą¤šą¤Øą¤¾ ą¤Ŗą¤° ą¤Øą¤æą¤°ą„ą¤­ą¤° ą¤•ą¤°ą¤¤ą¤¾ ą¤¹ą„ˆą„¤ ą¤Ŗą¤µą¤æą¤¤ą„ą¤° ą¤—ą„ą¤«ą¤¾ ą¤¤ą¤• ą¤Ŗą¤¹ą„ą¤‚ą¤šą¤Øą„‡ ą¤•ą„‡ ą¤²ą¤æą¤ ą¤­ą¤•ą„ą¤¤ ą¤Ŗą¤¹ą¤¾ą¤”ą¤¼ą„‹ą¤‚ ą¤øą„‡ ą¤¹ą„‹ą¤•ą¤° ą¤—ą„ą¤œą¤°ą¤¤ą„‡ ą¤¹ą„ˆą¤‚ą„¤Ā 

Ā ą¤¤ą„€ą¤Ø ą¤Ŗą¤æą¤‚ą¤”ą¤æą¤Æą¤¾ą¤: ą¤Ŗą¤µą¤æą¤¤ą„ą¤° ą¤—ą„ą¤«ą¤¾ ą¤•ą„‡ ą¤…ą¤‚ą¤¦ą¤°, ą¤¤ą„€ą¤Ø ą¤Ŗą¤æą¤‚ą¤”ą¤æą¤Æą¤¾ą¤ (ą¤Ŗą„ą¤°ą¤¾ą¤•ą„ƒą¤¤ą¤æą¤• ą¤šą¤Ÿą„ą¤Ÿą¤¾ą¤Ø ą¤øą¤‚ą¤°ą¤šą¤Øą¤¾ą¤ą¤) ą¤¹ą„ˆą¤‚ ą¤œą„‹ ą¤¤ą„€ą¤Ø ą¤¦ą„‡ą¤µą¤æą¤Æą„‹ą¤‚ ā€“ ą¤®ą¤¹ą¤¾ą¤•ą¤¾ą¤²ą„€, ą¤®ą¤¹ą¤¾ą¤²ą¤•ą„ą¤·ą„ą¤®ą„€ ą¤”ą¤° ą¤®ą¤¹ą¤¾ą¤øą¤°ą¤øą„ą¤µą¤¤ą„€ ą¤•ą¤¾ ą¤Ŗą„ą¤°ą¤¤ą¤æą¤Øą¤æą¤§ą¤æą¤¤ą„ą¤µ ą¤•ą¤°ą¤¤ą„€ ą¤¹ą„ˆą¤‚ą„¤ ą¤Ŗą¤æą¤‚ą¤”ą¤æą¤Æą„‹ą¤‚ ą¤•ą„‹ ą¤¦ą„ˆą¤µą„€ą¤Æ ą¤…ą¤­ą¤æą¤µą„ą¤Æą¤•ą„ą¤¤ą¤æą¤Æą¤¾ą¤ ą¤®ą¤¾ą¤Øą¤¾ ą¤œą¤¾ą¤¤ą¤¾ ą¤¹ą„ˆ ą¤®ą¤¾ą¤¤ą¤¾ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ą„¤ ą¤Ŗą¤¾ą¤°ą¤‚ą¤Ŗą¤°ą¤æą¤• ą¤¤ą¤¤ą„ą¤µ: ą¤œą¤¬ą¤•ą¤æ ą¤Ŗą„ą¤°ą¤¾ą¤„ą¤®ą¤æą¤• ą¤§ą„ą¤Æą¤¾ą¤Ø ą¤Ŗą„ą¤°ą¤¾ą¤•ą„ƒą¤¤ą¤æą¤• ą¤—ą„ą¤«ą¤¾ ą¤Ŗą¤° ą¤¹ą„ˆ, ą¤¤ą„€ą¤°ą„ą¤„ą¤Æą¤¾ą¤¤ą„ą¤°ą¤¾ ą¤•ą„‡ ą¤…ą¤Øą„ą¤­ą¤µ ą¤•ą„‹ ą¤¬ą¤¢ą¤¼ą¤¾ą¤Øą„‡ ą¤•ą„‡ ą¤²ą¤æą¤ ą¤‡ą¤øą¤®ą„‡ą¤‚ ą¤Ŗą¤¾ą¤°ą¤‚ą¤Ŗą¤°ą¤æą¤• ą¤¤ą¤¤ą„ą¤µ ą¤­ą„€ ą¤œą„‹ą¤”ą¤¼ą„‡ ą¤—ą¤ ą¤¹ą„ˆą¤‚ą„¤ ą¤¤ą„€ą¤°ą„ą¤„ą¤Æą¤¾ą¤¤ą„ą¤°ą¤æą¤Æą„‹ą¤‚ ą¤•ą„‹ ą¤Ÿą„ą¤°ą„‡ą¤• ą¤•ą„‡ ą¤¦ą„Œą¤°ą¤¾ą¤Ø ą¤¬ą¤¾ą¤£ą¤—ą¤‚ą¤—ą¤¾, ą¤šą¤°ą¤£ ą¤Ŗą¤¾ą¤¦ą„ą¤•ą¤¾ ą¤”ą¤° ą¤…ą¤§ą¤•ą„ą¤µą¤¾ą¤°ą„€ ą¤œą„ˆą¤øą„‡ ą¤øą„ą¤„ą¤¾ą¤Øą„‹ą¤‚ ą¤•ą¤¾ ą¤øą¤¾ą¤®ą¤Øą¤¾ ą¤•ą¤°ą¤Øą¤¾ ą¤Ŗą¤”ą¤¼ą¤¤ą¤¾ ą¤¹ą„ˆ, ą¤œą¤æą¤Øą¤®ą„‡ą¤‚ ą¤øą„‡ ą¤Ŗą„ą¤°ą¤¤ą„ą¤Æą„‡ą¤• ą¤†ą¤§ą„ą¤Æą¤¾ą¤¤ą„ą¤®ą¤æą¤• ą¤Æą¤¾ą¤¤ą„ą¤°ą¤¾ ą¤®ą„‡ą¤‚ ą¤Æą„‹ą¤—ą¤¦ą¤¾ą¤Ø ą¤¦ą„‡ą¤¤ą¤¾ ą¤¹ą„ˆą„¤ ą¤•ą¤²ą¤¾ą¤¤ą„ą¤®ą¤• ą¤¤ą¤¤ą„ą¤µ: ą¤Ŗą¤µą¤æą¤¤ą„ą¤° ą¤—ą„ą¤«ą¤¾ ą¤•ą„‡ ą¤°ą¤¾ą¤øą„ą¤¤ą„‡ ą¤®ą„‡ą¤‚ ą¤®ą¤¾ą¤¤ą¤¾ ą¤µą„ˆą¤·ą„ą¤£ą„‹ ą¤¦ą„‡ą¤µą„€ ą¤øą„‡ ą¤œą„ą¤”ą¤¼ą„€ ą¤Ŗą„Œą¤°ą¤¾ą¤£ą¤æą¤• ą¤•ą¤¹ą¤¾ą¤Øą¤æą¤Æą„‹ą¤‚ ą¤”ą¤° ą¤Ŗą„ą¤°ą¤¤ą„€ą¤•ą„‹ą¤‚ ą¤•ą„‹ ą¤¦ą¤°ą„ą¤¶ą¤¾ą¤Øą„‡ ą¤µą¤¾ą¤²ą„€ ą¤®ą„‚ą¤°ą„ą¤¤ą¤æą¤Æą¤¾ą¤‚ ą¤”ą¤° ą¤Øą¤•ą„ą¤•ą¤¾ą¤¶ą„€ ą¤œą„ˆą¤øą„‡ ą¤•ą¤²ą¤¾ą¤¤ą„ą¤®ą¤• ą¤¤ą¤¤ą„ą¤µ ą¤¹ą„ˆą¤‚ą„¤

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Chidambaram Nataraja Temple,Ā (Tamil Nadu)Chidambaram Nataraja Temple,Ā (Tamil Nadu)

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